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Madhatter536 said...
I never even heard of the Hunger Games until the movie came out so I wouldn't know if it's any good or not. As for not reading books for adults, well being that I am probably at least twice your age, you don't even know what books for adults are.
This post was edited by J_LaP on 4/13/2012 at 8:46 AM
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Madhatter536
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StorkMSU said...
Nerd fight!
Anyway, the Harry Potter series was a lot of fun to read and contained many great stories. Is it "great literature?" Probably not, but it kept me entertained.
Ender's Game, which is probably my favorite book, also had some plot holes and "magic." For heaven's sake, Ender is what, 6, when he enters battle school? Bean is only 3? Suspending disbelief is part of what makes Ender's Game and Harry Potter so fun to read.
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J_LaP said...
She's really a terrible storyteller though, yes the Harry Potter series can be amusing, but it's 7 books of just fucking winging it. Hey lets incorporate time travel then completely forget about it, she used the fantasy magic nature, not as a setting as a good story teller does, but as a crutch for her poor plots. Every book followed a pretty standard cookie cutter routine where the same things happened, but were just called different made up things. This year it's the quittich cup championship that matters, the next it's the triwizard tourneyment, either way, she will invent some magic to get Harry through, the Gryffindores will win the house cup at the last minute and all the magical things she made up for plot devices will be forgotten in the next book, especially if they were useful.
Like I said, it's not like they weren't amusing, she's just not a good writer or storyteller, she just came up with a few very good characters, maybe she can pull that off again, but I'm willing to bet that is not the case.
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SpartanInNH said...
OK, I think it's only fair to ask:
Name a great storyteller.
Name a well-plotted book.
Name a great writer.
What is the best book ever written, in your opinion?
Rowling is neither the best storyteller ever, nor the best writer ever. She certainly improved as a writer over the course of 7 books (no grand shock there). To say she's a "terrible storyteller" shows that we do not agree on what constitutes a good storyteller. And, FWIW, you're in the tiniest of minorities in saying she's a "terrible storyteller" -- even her greatest critics say she is a good one.
No need to respond, of course. It's just an opinion on a frickin' book or 7.
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StorkMSU said...
Nerd fight!
Anyway, the Harry Potter series was a lot of fun to read and contained many great stories. Is it 'great literature?' Probably not, but it kept me entertained.
Ender's Game, which is probably my favorite book, also had some plot holes and 'magic.' For heaven's sake, Ender is what, 6, when he enters battle school? Bean is only 3? Suspending disbelief is part of what makes Ender's Game and Harry Potter so fun to read.
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Madhatter536 said...
If you really think the books are for children, you have obviously never read them.
This post was edited by MSUDancinBear on 4/13/2012 at 2:24 PM
Your average UofM fan and I have something in common, neither of us went to UofM. Though we do share One major difference, I got Accepted.
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MSUDancinBear said...
Sure...authors normally write 10 year old protagonists for 30 year olds to relate to. You are more than welcome to enjoy the books, but the original target audience was tweens and pre teens. They may have evolved beyond that in the Deathly Hollows, but they were still for kids. Other great books for kids, The Hobbit, The Lion the Witch and the Wardrobe, Where The Sidewalk Ends…doesn’t take away from their awesomeness.
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ashamanAJSV said...
Dear God, the Deathly Hallows alone crushed what little respect I had for that woman. Allow me to synopsize the middle THREE HUNDRED PAGES of the exciting, action-packed conclusion to that series:
They go to the woods. They sit in the woods. They talk about the woods. They think about leaving the woods, but then decide to stay in the woods. One of them gets sick of the woods, leaves the woods, feels bad about leaving the woods, and then eventually returns...to the woods.
Your average UofM fan and I have something in common, neither of us went to UofM. Though we do share One major difference, I got Accepted.
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J_LaP said...
Did you bother to read any other books in the ender's game series? It's explained later how Bean was a genetic experiement. I'm not saying it doesn't have plot holes, but the plot is much more complex if you read through the entire series (which is still being written), almost to the scale of A Song of Ice and Fire.
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StorkMSU said...
Not only have I read all the books in the Ender series, I have ready nearly every Orson Scott Card book.
To say that Bean was a result of a genetic experiment is like saying Harry beat Voldemort because he was the last Horcrux. I wasn't trying to lessen the writing of Card by comparing him to Rowling. I was trying to compliment the writing of Rowling by comparing her to Card.
These books are works of fiction and contain elements of the fantastic. Just because the Ansible is explained as using "philotes" and "philotic bonds," or that Jane can use her enormous memory to move objects faster-than-light, doesn't make it any more than "magic." The Ender books are written for an audience that is older than the Potter target audience. I am have a fairly extensive science background, and the "science" explained in Xenocide and Children of the Mind had me baffled. Rowling could have moved into the midi-chlorian realm of George Lucas to explain where wizards got their powers, but made the right choice and made it completely ambiguous. Wizards are magical, muggles are not. Just because Card explains Bean's super-intellect with a genetic experiment, doesn't make it less fantastic than Harry being born a wizard.
I have not read any of the Song of Fire and Ice books (I'm already inundated with unread books), but I like a lot of George RR's older SciFi works. I have held off on watching the HBO series with the hopes of reading the books first.
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ashamanAJSV said...
In a way, you're really touching on the fundamental essence of science fiction: let us posit some new technology, and then attempt to analyze its effect on the rest of human life (sociology, politics, war, etc). And I think some of the critiques of Rowlings earlier in this thread highlight the main distinction between her and Card.
Card does posit an ansible, and subsequently a super-intelligent being living within it, but much of his later works (particularly the Speaker for the Dead trilogy) are primarily focused on hashing out its incredible consequences on human society. I'm not saying that he was completely successful, but he certainly made the attempt.
Rowlings likewise creates (more often, "borrows," but I digress) potentially fantastic technologies or abilities, but all too often she fails to pursue their implications. The classic example, already cited, is the time-shifting device in the 3rd book, which would have had INCREDIBLE ramifications in her universe, but it's basically just discarded out of hand so that Harry can get back to....I dunno, actually, sitting around and whining? I'm really unclear as to what his role actually is.
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J_LaP said...
Wow lots on inconsistancies in this post, so I'm under 18 according to you, but I read spiderman, no one reads comics anymore, there's a nitch for graphic novels sure, but who rushes to the comic store besides people who are not in their 30s and never grew up.
And I've read works from all those authors, throw in Ken Follet too, he is one of my favorites, read all of his books.
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MSUDancinBear said...
Sure...authors normally write 10 year old protagonists for 30 year olds to relate to. You are more than welcome to enjoy the books, but the original target audience was tweens and pre teens. They may have evolved beyond that in the Deathly Hollows, but they were still for kids. Other great books for kids, The Hobbit, The Lion the Witch and the Wardrobe, Where The Sidewalk Ends…doesn’t take away from their awesomeness.
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StorkMSU said...
That is an excellent point. It would be very difficult for a writer like Rowling to take on Card in social commentary. You would be hard-pressed to find a better social commentator than Card in modern science fiction.
This post was edited by SpartanInNH on 4/14/2012 at 4:18 PM
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SpartanInNH said...
I am beyond puzzled by this statement. Rowling is deficient in "social commentary"? Like questioning (but not answering) when the ends justify the means? (Mundungus Fletcher, a petty thief, is a member of the Order of the Phoenix because "he can go where [others] can't," and get information not otherwise available; Dementors are used because they're "the only way we sleep comfortably at night.")
Like addressing the relationship between the government and the press, and the government and its citizens? (Should governments be able to quash stories before they're even published, merely by threatening the newspaper, or dictate what stories get published? Is it better to arrest people and incarcerate them without charge, in order to be seen as "doing something" by the populace, or to let them go and face public wrath that the government isn't doing anything?)
Like questioning what punishment is appropriate, and what goes beyond the pale? ("He deserves it," [Harry] said suddenly./"You think so?" said Lupin lightly. "Do you really think anyone deserves that?"/"Yes," said Harry defiantly. "For...for some things....")
Like assessing when parental love become harmful? ("[H]e has at least escaped the appalling damage you have inflicted upon [your son].")
Anyone who has read the Potter series, or any book in it, has been slipped significant social commentary. Apparently it was done so subtly you didn't even notice.
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J.K. Rowling's Next Book