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TheChosenOne30 said...
Did people really not catch that Bruce Wayne patched the autopilot software MONTHS before? Early in the movie, Fox said something like "A better mind could fix it...or maybe a less busy mind," when talking to Bruce. Then at the end, Fox says "I just need to know what I could have done to fix it" when talking about the autopilot and the engineer said "It was patched 6 months ago." and the ID on the patch was Wayne's.
Batman obviously ejected from the bat before the bat left the city. He also fixed the bat signal then went into hiding.
What is that, a Titleist? A hole in one...
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TheChosenOne30
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TheChosenOne30 said...
This. A large part of the storyline was that Bruce didn't fear death anymore and he lost his edge. Alfred even said something to Bruce like "I'm not afraid that you'll fail, I'm afraid that you want to fail." He also said that Bruce wasn't "living" anymore, he was just "waiting" for something to go wrong again so he could die.
In the prison, Bruce had to learn to fear death again to escape.
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tBookkeeper said...
I think it's just the basic primal instinct of you must succeed at this in order to survive. By being willing to die for your freedom, then you are gaining your freedom back.
The use of rope as a crutch enabled the jumper to not fear death. Fearing death only comes into play when the safety was gone.
I think it's really a foreshadowing of the upcoming Gotham war and not necessarily a literal meaning.
In order to beat Bane, Batman needs to fear dying again because Batman's the only hope Gotham has in surviving. Just like in the BB-- Bruce learns the gray areas of being a criminal by actually stealing. Bruce learns the desperation needed to save Gotham by completing the same jump that Talia did.-- Which is why he has to trust others like Catwoman
Bruce is the mirrored image of Talia/Bane (this feels like it should be a Joker role) in the upcoming battle. Choosing to fight for Gotham and letting Gotham sort itself out instead of destroying it. They both agree that Gotham needs to be cleansed, but differ on the means of doing so.
There's a ton of full circle moments in the movie series, but in all the loss of the Joker is probably what makes the execution seem sloppy. I think they could have appeased the crowd with a flash to a man in Arkham with his back turned to the camera, but you could tell the greasy hair was the Joker. Just to help fans figure out where to put the arch-rival of Batman's.
I suggest seeing it again. There's a lot of good plot points that are fleshed out--- Talia's acting looks more deceptive the second time around. The whole time they (Bane/Talia) knew everything.
I hope Gordon-Levitt takes the Batman role over instead of being Robin/Nightwing.
I would love to see Zsasz and the Riddler (think of some manic RCMBer with a grudge against Batman). Blake seems like he's more of a natural detective than Bruce was and the mental games between Z and the Riddler would make for a good thriller.
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Jet Rodriguez said...
What do you guys think the odds are that we see a Nightwing/Robin movie with JGL? I know Nolan says he won't direct another movie but would he stay on as producer?
On a side note I really don't see how any future reboot could come anywhere close to this. If they do it at some point I hope they at least wait a decade.
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Charlie Kelly said...
I honestly thought this was the worst movie of the trilogy. There were so many points in the movie where you couldn't understand Bane and the guy in the prison wasn't the easiest to understand either. When you have a $250,000,000+ budget, the last thing the audience should have to worry about is understanding what the characters are saying.
This post has been edited 2 times, most recently by Gomez on 7/25/2012 at 1:17 PM
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RBW Spartan said...
But it's poorly written. By having the rope you're showing you fear death. By ridding yourself of the rope, you don't fear death.
So he had to learn to fear death so he could not fear death?
Your average UofM fan and I have something in common, neither of us went to UofM. Though we do share One major difference, I got Accepted.
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Gomez said...
See, I think this was the best of the three. It's the most complete story arc for Bruce (and you can argue that Nolan's Batman movies are actually Bruce Wayne movies), and has the most weight to the story. Bane is clearly the baddest of the bad guys, even though he feels more like a force of nature than a true character. Everything just feels bigger, more ominous, and more at risk.
I love Begins, but it was the beginning of the series and had its share of clunky scenes - even some of the great iconic "Batman moments" (like hanging Flass off the building, rescuing Rachel from Arkham) had some awkward moments that felt just a little off. Plus the main threat doesn't have a sense of gravitas to it - yes, there are serious threats to Bruce/Batman, but it just it doesn't feel like the death of Gotham is ever truly imminent. The focus of the movie was Bruce figuring out who Batman is, which ends up feeling more exploratory than epic.
Dark Knight is being wildly overrated in this thread too. Excellent film, but it's not even a movie about Batman - it's about the Joker, for crying out loud. He gets more screen time than Batman, and he develops more as a character than Bruce/Batman does (who is very static in this film - hardly changes at all from beginning to end). Again, some awesome iconic moments, but Ledger's amazing awesomeness as Joker ends up stealing the movie away from Bruce/Batman. Plus, in this movie Bruce/Batman ends up relying on his gadgets more than anything else, which I think weakens it. Don't get me wrong - as a Batman fan I love this film, but I think it needs to be taken for what it is: a Joker movie featuring Batman, not the other way around.
In the end, I think Rises has the strongest "Batman moments" (Bane breaking him, every scene with Selina Kyle), and I think Bruce/Batman ends up relying on his own wherewithal to succeed, more than gadgetry and fortuitousness, which leads to a stronger sense of who he is. It gives the most complete character arc for Bruce/Batman, and ends up providing an excellent "Nolanized" ending: a big reveal, the right loose ends wrapped up, some nods to source material, and hints at future events. Just feels like the right way to end.
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-PPTPW- said...
I disagree with your opinion that The Dark Knight was weaker than this film.
I think Ledger's out of this world performance overshadows how great the rest of the cast, including their story, was to the film. In the Dark Knight, Bruce/Batman is tested on moral fronts. The way Batman realizes he has no limits leads to hubris and seeps into Bruce's life. Bruce is challenged and fails to restrain the facilitation of infidelity with Rachel. He, like his alter ego, believe they are invincible. In the end, his rash arrogance gets two people he holds in reverence killed.
To me, one of the brilliant points of the entire trilogy is it can serve as an allegory on life itself.
Batman Begins is a film about the birth and youthful exuberance of embracing something new; becoming comfortable with what you are. In Bruce's case, it's becoming Batman.
The Dark Knight is about believing you are invincible (as many young adults do) and realizing you may not have all the right answers. Bruce/Batman believes they are above reproach in getting what they want, be it Rachel, a criminal in China, or the location of hostages.
The Dark Knight Rises is about understanding you aren't invincible. You realize your mortality and that, in and of itself, enriches the life you have remaining. It allows you to understand your legacy and potential for immortality (remember Ras Al Ghul's quote, "There's more than one way to be immortal, Bruce.") It is about passing your legacy on to the next person.
I am interpreting it a certain way and I'm sure it's a series that's open to many interpretations. It's an incredibly layered trilogy and echoes the depth of the writing.
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-PPTPW- said...
I disagree with your opinion that The Dark Knight was weaker than this film.
I think Ledger's out of this world performance overshadows how great the rest of the cast, including their story, was to the film. In the Dark Knight, Bruce/Batman is tested on moral fronts. The way Batman realizes he has no limits leads to hubris and seeps into Bruce's life. Bruce is challenged and fails to restrain the facilitation of infidelity with Rachel. He, like his alter ego, believe they are invincible. In the end, his rash arrogance gets two people he holds in reverence killed.
To me, one of the brilliant points of the entire trilogy is it can serve as an allegory on life itself.
Batman Begins is a film about the birth and youthful exuberance of embracing something new; becoming comfortable with what you are. In Bruce's case, it's becoming Batman.
The Dark Knight is about believing you are invincible (as many young adults do) and realizing you may not have all the right answers. Bruce/Batman believes they are above reproach in getting what they want, be it Rachel, a criminal in China, or the location of hostages.
The Dark Knight Rises is about understanding you aren't invincible. You realize your mortality and that, in and of itself, enriches the life you have remaining. It allows you to understand your legacy and potential for immortality (remember Ras Al Ghul's quote, "There's more than one way to be immortal, Bruce.") It is about passing your legacy on to the next person.
I am interpreting it a certain way and I'm sure it's a series that's open to many interpretations. It's an incredibly layered trilogy and echoes the depth of the writing.
This post was edited by rookmsu on 7/25/2012 at 5:18 PM
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The Dark Knight Rises - Discussion Thread (SPOILERS)